To bring yourself back from the dead you need flour, to start.
Rather a lot of it, and tallow candles,
with fat from the butcher. Mention my name — I loved him once,
but there's a reason you don't hear ever-afters
about butchers. Avoid lingering,
chitchat. Avoid eye-contact. Avoid the fine red meats,
for now.
Flour, milk, butter, sugar, eggs, salt,
yeast. Wait 2 hours.
Rise.
Push down, let rise one more hour.
Let it catch up to you after sixty soft minutes,
let it walk behind you like a frightening thing in the dark,
let it breathe you in and fill your thin skin out,
let it end and begin you completely until, the final minute,
the final, final minute,
fearing stillbirth,
still life with two apples,
a pear:
let it be standard дрожжевое тесто,
turning aureate in the oven.
A gold ring, a yellow liferaft.
Sonya Vatomsky is a Moscow-born, Seattle-raised feminist poet and essayist whose work appears in No Tokens, VIDA, Hermeneutic Chaos, Bone Bouquet, and elsewhere. She edits and reviews poetry at Fruita Pulp & her chapbook MY HEART IN ASPIC is part of Porkbelly Press' 2015 line-up. Find her online at sonyavatomsky.tumblr.com and @coolniceghost.
Jill Khoury
[posterior vitreous detachment]
Colony
Sonya Vatomsky
Mouth-Off (III)
The Serbo-Croatian language
uses the same word, čičak,
for burdock and Velcro
Kamden Hilliard
no baby but the poem is about you
Jessica Schouela
The Funeral
Chris Campanioni
Working Models
Sarah Ann Winn
Suburban Thaw
Rolling Acres Mall, Abandoned
Cynthia Conte
Number three star: Fast years
Diane Gage
Nanobiomaximum
Dear John (Cage)
John Lowther
a sonnet from 555
Rebecca Yates
What is "Emoji"?
Glen Armstrong
Archivist
Marta Ferguson
The Nether as Pizza Parlor
September Hinkle
Surviving Charlie