We must love one another, or die.
Get my cold drink.
At least I'm not racing to a red light.
Grab your wallet, here comes a slow song.
Last night, you struck a decisive blow for loneliness.
Many view these descriptions as logical truths.
I prefer something that takes some time, some thought, some technique.
Meaning and modality are essentially connected.
As then, so now.
It is best that the possessor of the secret goes under with it.
Only in our fantasies can mastery be a one-way street.
Hell to the no.
Note on the Text: The 555 sonnets are made with found lines and precise measures, a database and text analytic software. I crunched Shakespeare's sonnets for word, syllable and character averages — my new measures. The lines' oddities are their own, the arrangement is mine. After the text analytics and data entry, many ways of assembling are found. I hold to the turn (when I think of it) and that sonnets are poems of a certain size, but little more. Something in excess of the lines pass through, it's this that I'm chasing.
John Lowther's work appears in the anthologies, The Lattice Inside (UNO Press, 2012) and Another South: Experimental Writing in the South (U of Alabama, 2003). Held to the Letter, co-authored with Dana Lisa Young is forthcoming from Lavender Ink.
Jill Khoury
[posterior vitreous detachment]
Colony
Sonya Vatomsky
Mouth-Off (III)
The Serbo-Croatian language
uses the same word, čičak,
for burdock and Velcro
Kamden Hilliard
no baby but the poem is about you
Jessica Schouela
The Funeral
Chris Campanioni
Working Models
Sarah Ann Winn
Suburban Thaw
Rolling Acres Mall, Abandoned
Cynthia Conte
Number three star: Fast years
Diane Gage
Nanobiomaximum
Dear John (Cage)
John Lowther
a sonnet from 555
Rebecca Yates
What is "Emoji"?
Glen Armstrong
Archivist
Marta Ferguson
The Nether as Pizza Parlor
September Hinkle
Surviving Charlie