He left in messages, starting with cassettes to catch his voice. He cut away at the irreverent almost, unblossoms. It is this way for the chicken and egg: a mother and never, my mother. This is preference simplified. The distance of pearled milk poured down wells for sound effect.
Who does it imagine to meet? A dream fever, a preservative punch into gut. Dots! cries a curtain of polkas dancing, wildly.
There may have been Bohemia before there were records, but there never were Slavic wigs or snaggletooth women. These are the lines he left in messages on tapes. Tapes that address a mother startled by the capture of voice. The son she imagines she made-up.
Madeline Vardell is an MFA candidate at New Mexico State University. She is the winner of the 2013 Kay Murphy prize in poetry, selected by Lara Glenum. Her work has recently appeared or is forthcoming in Bayou Magazine, [Pank], Rhino, and Whiskey Island. She lives in Mesilla, New Mexico.
Jesse Nissim
Entrance and Difference
There was a bit of dust
named Alana
Madeline Vardell
swept up in silver & yellow
flashes
An Imaginarian
Peter J. Greico
[1401 - 1500]
[11601 - 11700]
[16901 - 17000]
KJ Hannah Greenberg
Initially Thrilled to the Idea
of Memories
Douglas Luman
from Star/Formation
Vincent Toro
MicroGod Schism Song
Rage Hezekiah
Phlebotomy
Natalya Sukhonos
Parachute
Laurel Radzieski
X and Y Axes of Charts
Made About T's Lover
(The Incident)
Jonathan Travelstead
Myopia
Emily Strauss
White Night Terror
Les Kay
In the Basement of the Penal
Colony,
Version 2.3,
Rimbaud Remembers