No here one left owning that
so noises stay,
a station
heat
lets nothing touch
because organ,
because oilskin
because told in
islands, to heavy
the intuition,
threw
out
to
reformation
so
collision, the
accusation of
territory.
Because sure
foam, because
harpoon, because
sneer, the
stray
rot.
+
So what I
have
kept, englishes
that
surround no island.
Your casting is where
the shade picture works,
some
plague tore
brogues out.
My
far, heard
mouth
tighten
beaks.
This much
the isthmus
collected in,
outsides out every
second or so,
a lit quarter, dances the fog.
+
Yaw grind in
persistent viscera.
Surface you
make
away, oilfire,
yell among yell.
Stood on chairs,
because
cenotaph,
vocable
because
quay, tear
be torn. Merest,
the hand sound a making
glass,
hurled
furring[p>
sea.
About away, but go
that
assumes arc.
Arrow, from.
Place I stacked my own shade.
Matthew Johnstone places poetry with online journals that provide free and entire, or mostly entire, access to the poetry they present: Word For/Word, Gobbet, Timber, Ohio Edit. He is the author of Let's be close Rope to mast you, Old light (Blue & Yellow Dog, 2010), o n e (Inpatient Press, 2015), and Note on Tundra (DoubleCross Press, forthcoming). He co-edits 'Pider (pidermag.com) and hosts the E t A l. poetry readings, both of Nashville, Tennessee.
Laurin DeChae
Snakes & Ladders
It Will Be Alive
Jessie Janeshek
Future Girls with Bikinis
beneath Bruce Springsteen Tees
Samantha Duncan
Juliet
Kenzie Allen
According to Science
Jessy Randall
Here comes a poor woman
from baby-land
Here comes an old woman,
nimble namble
Ruben Rodriguez
Because I’m Bad Ass and
I Said So
Colleen Coyne
Echolocation
Rob Cook
Unmarked Neural Pathways
Keratoconus
Jon Riccio
The Area Code for ESP
Jennifer MacBain-Stephens
Solstice
Roger Williams
Come Eleven
Matthew Johnstone
Boatship: Port Layout Gossips
Daniel Schwartz
Out/Night
Amy Carlberg
Desktop
AP
Embody the State of the World